Criticality at the intersection of the curatorial and socially-engaged art practices in post-2000 Singapore
The tendency to employ art as a way of mediating prevailing social issues that perturbed society has always been a feature of Singapore artistic practices. This can be traced back to the days of the Malayan Emergency in Singapore, right up to the 1990s. Post-2000 Singapore witnessed a thriving ar...
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| 格式: | Thesis-Master by Coursework |
| 語言: | English |
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Nanyang Technological University
2022
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| 在線閱讀: | https://hdl.handle.net/10356/157099 |
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| 機構: | Nanyang Technological University |
| 語言: | English |
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